Misusing The Holocaust
I am emotionally raw at the moment. The chorus of hatred I see, read, and feel throughout Europe directed at a state struggling, however bluntly, to defend its citizens just reeks of irrational hatred. Yes, there have been tragic errors, failed opportunities, oppressive occupation. And I completely approve of criticism and free speech, even when it hurts. It is the irrational hatred, the use of terms like "genocide", that convince me beyond doubt that we are not dealing with honesty or logic but deep visceral hatred that has festered for hundreds of years. It constantly finds differing excuses to emerge from its filthy subterranean recesses to inflame and ultimately try to destroy, before burning itself out and returning to hide underground.
Genocide takes a plan, design, and system. Even if, as Hannah Arendt claimed, many of the perpetrators of the Holocaust were simply banal, nevertheless the design and the plan grew with public support. Criticism and opposition was systematically beaten and suppressed, voices silenced, and a state machinery devoted to the prosecution of the evil goal unremittingly, even to the point of harming its own war effort. None of this remotely applies to Israel.
This is the season of the Globes and the Oscars, and, each time, the Holocaust figures prominently amongst the nominations. Why? Is it because the Holocaust is the one universally accepted touchstone of inhumanity and Oscar voters wanting to be seen as more than trivial feel the need to nod in the direction of a moral issue? Is it because so many in Hollywood are Jewish? Is it because it remains in the minds of some in the free world as a unique evil? Or is that the range of Hollywood emotions is so limited that only an iconic moral cataclysm can evoke any serious response? I even dare to suggest that such movies are produced as a calculated tilt at what is likely to win an award. (The same goes for books and the ongoing and recent rash of fabrications.) But each time there are new examples of the trivialization of primordial evil.
This year has been true to form. A film about innocent children
Frankly, with Israel being described on the streets of Europe as a Nazi state the last thing I want to see is a film about "good" Nazis (not I hasten to add that there might not have been one or two good ones undercover). And whether to give up a good page of Gemara for that drivel is simply, as the Yanks like to say, a no-brainer.
Defiance, the story of the Bielski brothers
But this issue of the Holocaust is so pervasive that it has become relative. Avrum Burg is a typical second generation post-independence Zionist, propelled by his politically savvy and successful father into prominence. He rose to head of the World Zionist Organization and, briefly, became Speaker of the Knesset, the Israeli Parliament. I have always considered him likeable, honest, and talented. A few years ago he went through a crisis of confidence in his received ideals, turned his back on politics, left Israel, and went into business.
A recent book of his is now coming out in the United States under the title, The Holocaust Is Over; We Must Rise From its Ashes
Like him, I have grave reservations about lots of issues in Jewish and Israeli society today. But to want to survive, to stop attacks on one's civil population, does not require the Holocaust as justification! I find the negative language of Burg to be disturbing, as well as the distorted coupling, if only by implication, of Israel and Nazi Germany. I cannot avoid the thought that, like Hollywood, he uses the Holocaust to sell his wares. It will be misused, and the emotive issue of the Holocaust will simply be misapplied by those who want to obliterate us.
As the Ethics of the Fathers (1:9) says, "Wise men, be careful of your words lest others learn to lie from them." And if we ourselves are not careful with our use of emotive words, then we can hardly complain when others are not either.



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